Specifically created for Espace Louis Vuitton Venezia, in a black setting largely covering the floor and the wall, Apollo, Apollo features a compositive image of the artist’s hands printed on a metallic mesh fabric, depicting a moment where the boundaries between the artist’s body and the coloured material blur in the act of creating. In the words of Katharina Grosse: “The image is chosen from a series of photographs showing situations or actions, connected to my painting practice in some way or another. […] It oscillates between surface, texture, image and object, order and disorder, destruction and creation, tension and release, forced and freeflowing movement.“
In the Venetian context and imaginative world – Fortuny fabrics, Terrazzo mosaics, omnipresent water and reflections – the metallic fluidity and hued intensity of Apollo, Apollo (a title that works as a mantra with polysemic connotations and condenses and combines mythology with the conquest of space) take on special resonance here. The surface reflects visitors’ movements and contributes to the quintessentially Venetian mirror effect. Apollo, Apollo blends the transparent with the opaque, letting light filter through, creating a gateway to a dreamlike world in which visitors question their own perceptions of reality and illusion.