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Emil Nolde

Heidehaus
1900

Oil on canvas

46.6 × 58.8 cm / 18 3/8 × 23 1/8 in

Signed also verso on the stretcher by a third hand titled »Heidehaus«

The painting was later, probably in the 1940s, reworked by the artist (note in the artist's handlist »1900 Heidehaus (später übermalt)«

Catalogue Raisonné by Urban 1987 no. 68

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Provenance

Jolanthe Nolde (The artist’s wife), Heidelberg (1956); Hans Werle, Mannheim; Galerie R. Horstmann, Cologne; Collection Irene Krumke, Berlin (acquired before 1987); Private Collection Germany (by inheritance)

Exhibitions

Galerie Ludorff, Neuerwerbungen Herbst 2024, Düsseldorf 2024
Heidelberger Kunstverein, "Emil Nolde – Gemälde, Aquarelle, Graphik", Heidelberg 1958
Galerie Nierendorf, "Nolde-Rohlfs: Emil Nolde und Christian Rohlfs", Ausst.-Kat., Berlin 1976
Serge Sabarsky, "Emil Nolde", New York 1976

Literature

Martin Urban, "Emil Nolde. Werkverzeichnis der Gemälde 1895-1914", Bd. I, München 1987, Nr. 68
Galerie Nierendorf, "Nolde-Rohlfs: Emil Nolde und Christian Rohlfs", Berlin 1976, Nr. 20
Weltkunst 45 (1975), Nr. 18, S. 1475
Heidelberger Kunstverein, "Emil Nolde – Gemälde, Aquarelle, Graphik", Ausst.-Kat., Heidelberg 1958, Nr. 4
Emil Nolde, "Handliste", 1930, 1900 Heidehaus (Später übermalt)

About Emil Nolde

Emil Nolde is an important representative of Expressionism. In his landscapes, as in his flower paintings, he combines color more radically than almost anyone else.