Ewald Mataré

Zeichen eines Steppenrindes
1946

Bronze

8.2 × 11 × 1 cm / 3 1/4 × 4 5/16 × 3/8 in

Signed with the initials on the back

Edition of According to the catalogue raisonné seven casts of this sculpture are known

Catalogue Raisonné by Schilling 1994 no. 292 a

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Provenance

Private Collection Northern Germany

Literature

Sabine Maja Schilling, "Ewald Mataré – Das plastische Werk: Werkverzeichnis", Köln 1994, no. 292a
Pfalzgalerie Kaiserslautern/Städtisches Museum Heilbronn (Hg.), "Ewald Mataré", Ausst.-Kat., Heilbronn 1981, no. 34
Galerie Alex Vömel (Hg.), "Ewald Mataré. Skulpturen, Holzschnitte, Aquarelle", Ausst.-Kat., Düsseldorf 1975, no. 13
Galerie Wolfgang Ketterer, "3. Auktion", Ausst.-Kat., München 1970, no. 1040
Kritzraedthuis (Hg.), "Ewald Mataré", Ausst.-Kat., Sittard 1969, no. 58
Hanns Theodor Flemming, "Ewald Mataré", München 1955, no. 37
Svens-Franska Konstgalleriet, "Ewald Mataré. Skulpturer Träsnitt 1921-1953", Ausst.-Kat., Stockholm 1954, no. 49
Kunsthalle Bern, "Moderne deutsche Kunst seit 1933", Ausst.-Kat., Bern 1947, no. 182

About Ewald Mataré

Ewald Mataré' s sculptural work is characterized by the search for the form of the essential. Through the reduction and abstraction of the given form, he finds the expression of the elemental and symbolic hidden beneath the surface.