Gerhard Richter

Rot-Blau-Gelb
1973

Gerhard Richter, Rot-Blau-Gelb

Oil on canvas

98 × 92 cm / 38 9/16 × 36 1/4 in

Signed, dated, numbered "339/3" and marked with a directional arrow on the verso

Edition of In 1973 Richter painted 7 paintings of this theme in identical size, which are listed in the catalogue raisonné as number 339. Here is the painting with the catalogue raisonné number 339-3.

The painting no. 339-1 is in the collection of the Museum Frieder Burda in Baden-Baden.

Catalogue Raisonné by Elger vol. II 2017 no. 339-3

€950,000.00

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Expertise

Certification of Authenticity by Dr Dietmar Elger, Gerhard Richter Archiv, Dresden 2025

Provenance

The artist’s studio; Private Collection Southern Germany (purchased directly from the artist -2017); Ketterer Kunst, Munich (Auction 451, 10 Jun. 2017, lot 842); Private Collection North Rhine-Westphalia (2017-2024))

Exhibitions
  • Galerie Ludorff, "50 Jahre", Part I, 4. Apr. - 7. Jun., Düsseldorf 2025
  • Städtische Galerie im Lenbachhaus, "Gerhard Richter", München 1973
Literature
  • Galerie Ludorff, "50 Jahre", Part I, Düsseldorf 2025, S. 181
  • Staatliche Kunstsammlungen Dresden/Gerhard Richter Archiv/Dietmar Elger (Hg.), "Gerhard Richter. Catalogue Raisonné Volume 2 1968-1976 Nos.198-388", Berlin 2017, S. 512 Nr. 339-3
  • Guitemie Maldonado, "Images d’abstractions", in: connaissance des arts. hors-série (Gerhard Richter), no. 538, 2012, S. 46.
  • Suzanne Pagé u.a., "Gerhard Richter: Catalogue Raisonné 1962 - 1993, Band III", Ostfildern-Ruit 1993, Nr. 339-3 (falsche Abbildung)
  • Jürgen Harten (Hg.), "Gerhard Richter. Bilder = Paintings 1962-1985", Ausst. Kat., Köln 1986, S. 162 (falsche Abbildung)
  • Städtische Galerie im Lenbachhaus (Hg.), "Gerhard Richter", Ausst. Kat. Städtische Galerie im Lenbachhaus, München 1973, Kat.-Nr. 9

About Gerhard Richter

Influenced by post-war abstraction, Gerhard Richter began working intensively on abstract painting towards the end of the 1960s. Initially, however, he only created portraits and still lives based on photographs which, through their specific image detail and blurring, alienate reality.

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