Gerhard Richter

September
2009

Digital print between two panels of glass

Print: 52 × 71,5 cm | 20 1/2 × 28 1/4 in
Glass: 66 × 90 cm | 26 × 35 1/2 in

verso on a label signed and handwritten "18/40" numbered also typewritten dated and titled

Edition of 40 + 4 a.p. + 9 trial proofs (colour photographs) + 1 test (colour photograph); Editeur: Joe Hage, London

Multicoloured digital inkjet print based on the 2005 painting September [CR: 891-5].

Catalogue Raisonné by Butin/Olbricht/Gronert 2014 Nr. 139

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Provenance

Private Collection North Rhine-Westphalia

Exhibitions

Galerie Ludorff, "Neuerwerbungen Herbst 2021", Düsseldorf 2021

Literature

Galerie Ludorff, "Neuerwerbungen Herbst 2021", Düsseldorf 2021, S. 118
Hubertus Butin/Stefan Gronert/Thomas Olbricht (ed.), "Gerhard Richter. Editionen 1965-2013", Ostfildern 2014, Nr. 139

About Gerhard Richter

Influenced by post-war abstraction, Gerhard Richter began working intensively on abstract painting towards the end of the 1960s. Initially, however, he only created portraits and still lives based on photographs which, through their specific image detail and blurring, alienate reality.