Josef Albers

Allegro
1961

Josef Albers, Allegro

Screenprint on Mohawk Superfine Bristol Paper

Image: 22,9 × 22,9 cm | 9 × 9 in
Sheet: 43 × 43 cm | 17 × 17 in

Signed, "61" dated, titled and numbered "102/300"

Edition of 300; Printer: R. H. Norton, New Haven; Editor: Ives-Sillman, Inc., New Haven für den Kunstverein Münster

This was Albers' first edition of "Homage to the Square" silkscreens

Catalogue Raisonné by Danilowitz 2010 no. 155

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Provenance

Private Collection North Rhine-Westphalia

Exhibitions
  • Galerie Ludorff, KUNST MACHT GLÜCKLICH, Düsseldorf 2022
Literature
  • Galerie Ludorff, "KUNST MACHT GLÜCKLICH", Düsseldorf 2022, Nr. 42
  • Brenda Danilowitz, „The Prints of Josef Albers. A Catalogue Raisonné 1915-1976“, Manchester 2010, Nr. 155

About Josef Albers

As a teacher at Bauhaus and Black Mountain Collage, Josef Albers is regarded as an important pioneer of Op Art and color field painting. His oeuvre imperceptibly influences the abstract and concrete art.

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  • Josef Albers, Variant III
    Josef Albers
    Variant III
    1967

    Screenprint on BFK Rives Paper
    Image: 25,4 × 36,5 cm | 10 × 14 3/8 in
    Sheet: 43,2 × 43,2 cm | 17 × 17 in

  • Josef Albers, Variant II
    Josef Albers
    Variant II
    1967

    Screenprint on BFK Rives Paper
    Image: 27,9 × 28,9 cm | 11 × 11 3/8 in
    Sheet: 43,2 × 43,2 cm | 17 × 17 in

  • Josef Albers, Variant I
    Josef Albers
    Variant I
    1967

    Screenprint on BFK Rives Paper
    Image: 21,6 × 33,3 cm | 8 1/2 × 13 1/8 in
    Sheet: 43,2 × 43,2 cm | 17 × 17 in

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