Josef Albers

Concord
1965

Josef Albers, Concord

Screenprint on Mohawk Superfine Bristol Paper

Image: 27,9 × 27,9 cm | 11 × 11 in
Sheet: 30,8 × 30,8 cm | 12 × 12 in

Signed and dated "Albers'65" also titled and numbered "53/120"

Edition of 120 Printer: Sirocco Screenprins, New Haven Editor: Ives-Sillman, Inc., New Haven, for “Das Kunstwerk” Agis Verlag

Catalogue Raisonné by Danilowitz 2010 no. 167.1

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Provenance

Private Collection North-Rhine Westphalia

Exhibitions
  • Galerie Ludorff, "KUNST MACHT GLÜCKLICH", November 2021 Düsseldorf
Literature
  • Galerie Ludorff, "KUNST MACHT GLÜCKLICH", Düsseldorf 2021, Nr. 16
  • Brenda Danilowitz, „The Prints of Josef Albers. A Catalogue Raisonné 1915-1976“, Manchester 2010, Nr. 167.1

About Josef Albers

As a teacher at Bauhaus and Black Mountain Collage, Josef Albers is regarded as an important pioneer of Op Art and color field painting. His oeuvre imperceptibly influences the abstract and concrete art.

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  • Josef Albers, Variant V
    Josef Albers
    Variant V
    1967

    Screenprint on BFK Rives Paper
    Image: 25,4 × 35,6 cm | 10 × 14 in
    Sheet: 43,2 × 43,2 cm | 17 × 17 in

  • Josef Albers, DR-b
    Josef Albers
    DR-b
    1968

    Screenprint on heavy board paper
    67.9 × 67.9 cm / 26 3/4 × 26 3/4 in

  • Josef Albers, SP VII
    Josef Albers
    SP VII
    1967

    Screenprint on Schoellershammer board
    Image: 49,5 × 49,5 cm | 19 1/2 × 19 1/2 in
    Sheet: 61,6 × 61,6 cm | 24 1/4 × 24 1/4 in

  • Josef Albers, Hommage au carré
    Josef Albers
    Hommage au carré
    1965

    Screenprint on J. Perrugot Arches Special MBM paper
    Image: 27,9 × 27,9 cm | 11 × 11 in
    Sheet: 48,3 × 38,1 cm | 19 × 15 in

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