Josef Albers

Hommage au carré
1965

Josef Albers, Hommage au carré
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Screenprint on J. Perrugot Arches Special MBM paper

Image: 27,9 × 27,9 cm | 11 × 11 in
Sheet: 48,3 × 38,1 cm | 19 × 15 in

Signed and dated »A'64« and also numbered »52/125«

Edition of 125; Sheet 1 of 12; Printer: Atelier Arcay, Paris; Editor: Editions Denise René, Paris

Although Albers signed and dated »A'64«, the edition was actually not published until February 1965

Catalogue Raisonné by Danilowitz 2014 no. 160.1

Provenance

Private Collection USA

Exhibitions
  • Galerie Ludorff, Neuerwerbungen Frühjahr 2023, Düsseldorf 2023
Literature
  • Galerie Ludorff, "Neuerwerbungen Frühjahr 2023", Düsseldorf 2023, S. 8
  • Brenda Danilowitz, „The Prints of Josef Albers. A Catalogue Raisonné 1915-1976“, Manchester 2010, Nr. 160.1

About Josef Albers

As a teacher at Bauhaus and Black Mountain Collage, Josef Albers is regarded as an important pioneer of Op Art and color field painting. His oeuvre imperceptibly influences the abstract and concrete art.

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  • Josef Albers, Variant I
    Josef Albers
    Variant I
    1967

    Screenprint on BFK Rives Paper
    Image: 21,6 × 33,3 cm | 8 1/2 × 13 1/8 in
    Sheet: 43,2 × 43,2 cm | 17 × 17 in

  • Josef Albers, Allegro
    Josef Albers
    Allegro
    1961

    Screenprint on Mohawk Superfine Bristol Paper
    Image: 22,9 × 22,9 cm | 9 × 9 in
    Sheet: 43 × 43 cm | 17 × 17 in

  • Josef Albers, SP IV
    Josef Albers
    SP IV
    1967

    Screenprint on Schoellershammer board
    Image: 49,5 × 49,5 cm | 19 1/2 × 19 1/2 in
    Sheet: 61,6 × 61,6 cm | 24 1/4 × 24 1/4 in

  • Josef Albers, I-S k
    Josef Albers
    I-S k
    1973

    Screenprint on heavy etching paper
    Image: 63.5 × 63.5 cm | 25 × 25 in
    Sheet: 76.2 × 101.6 cm | 30 × 40 in

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