Lyonel Feininger

Glorious Day
1945

Watercolour and Indian ink on paper

31.8 × 48.6 cm / 12 1/2 × 19 1/8 in

Signed and "27. VIII. 45" dated also verso titled

Certificate of Authenticity by Achim Moeller, Director of the Lyonel Feininger Project LLC, New York/Berlin

Registered in the archive of the Lyonel Feininger Project LLC New York/Berlin as no. 1935-08-10-24

€69,000.00

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Provenance

The artist's estate; Collection of the Colin family, USA (directly from the artist, in family possession by inheritance, -2025)

Exhibitions

Dallas Museum of Contemporary Art, "Lyonel Feininger: A Retrospective", 10. Apr. - 5. Mai, Dallas 1963
Harvard Art Museums/Busch-Reisinger Museum, "Lyonel Feininger: Paintings of Harbors, Ships and the Sea", Okt. - Nov., Cambridge 1958
Willard Gallery, "Lyonel Feininger: An Exhibition of Twenty-Five Watercolors, 1939-1953", März - Apr., New York 1958
Ogunquit Museum of American Art, "Twenty-five Works by Lyonel Feininger", Jun. - Sept., Ogunquit 1958
The Cleveland Museum of Art, "The Work of Lyonel Feininger", 2. Nov. - 9. Dez., Cleveland 1951
Buchholz Gallery (Curt Valentin), "Lyonel Feininger: Recent Paintings, Watercolors", Jan. - Febr., New York 1946

Literature

Galerie Ludorff, "50 Jahre", Part II, Düsseldorf 2025, S. 101
Dallas Museum for Contemporary Arts (Hg.), "Lyonel Feininger: A Retrospective", Ausst.-Kat., Dallas 1963, Nr. 45
Harvard Art Museums/Busch-Reisinger Museum (Hg.), "Lyonel Feininger: Paintings of Harbors, Ships and the Sea", Ausst.-Kat., Cambridge 1958, S. 6
Ogunquit Museum of American Art (Hg.),"Twenty-five Works by Lyonel Feininger", Ausst.-Kat., Ogunquit 1958, Nr. 13
Willard Gallery (Hg.), "Lyonel Feininger: An Exhibition of Twenty-Five Watercolors, 1939-1953", Ausst.-Kat., New York 1958, Nr. 10
The Cleveland Museum of Art (Hg.), "The Work of Lyonel Feininger", Ausst.-Kat., Cleveland 1951, Nr. 85
Curt Valentin (Hg.), "Lyonel Feininger: Recent Paintings, Watercolors", Ausst.-Kat., Buchholz Gallery, New York 1946, Nr. 43

About Lyonel Feininger

Lyonel Feininger's influence on 20th century art is closely linked to his teaching activities at the Staatliches Bauhaus in Weimar, which began in 1919.