Emil Nolde, Der Tod als Tänzerin

Etching on handmade paper

Image: 20.8 × 26.5 cm | 8 1/4 × 10 3/8 in
Sheet: 45 × 58.5 cm | 17 3/4 × 23 in

Signed and titled

Edition of at least 18 copies

Catalogue Raisonné by Schiefler/Mosel/Urban 1995 no. 200 II

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Provenance

Private Collection Germany

Exhibitions
  • Galerie Ludorff, "KUNST MACHT GLÜCKLICH", Düsseldorf 2023
  • Musée d'Art Moderne et Contemporain, "Der letzte Tanz. Die Bildwelt des Makaberen und die grafische Kunst", Straßbourg 2016
  • Galerie Heitz, "Dernière danse. L'imaginaire macabre dans les arts graphiques", Straßburg 2016
  • Galerie Ludorff, "Meisterwerke des Expressionismus", Dusseldorf 2011/2012
Literature
  • Galerie Ludorff, "KUNST MACHT GLÜCKLICH", Düsseldorf 2023, Nr. 06
  • Galerie Heitz (Hg.), "Dernière Danse. L'imaginaire macabre dans les arts graphiques", Ausst.-Kat., Straßburg 2016, S. 129
  • Gustav Schiefler/Christel Mosel/Martin Urban, "Emil Nolde – Das graphische Werk: Die Radierungen", Bd. I, Köln 1995, Nr. 200 II

About Emil Nolde

Emil Nolde is an important representative of Expressionism. In his landscapes, as in his flower paintings, he combines color more radically than almost anyone else.

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