Gerhard Richter, Grün – Blau – Rot 789 -76

Oil on canvas

30 × 40 cm / 11 13/16 × 15 3/4 in

Signed, dated and numbered “789-76” on the verso also stamped “Edition for Parkett No. 35” on the stretcher

Edition of One of 115 numbered unique works

Editor: Edition Parkett, Zürich/New York

Catalogue Raisonné by Butin/Gronert/Olbricht 2014 no. 81; Catalogue Raisonné by Butin/Gronert 2004 no. 81; Catalogue Raisonné by Kunst- und Ausstellungshalle der BRD 1993 no. 789-76

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Provenance

Private Collection Tokyo

Exhibitions
  • Galerie Ludorff, "Meisterwerke", Düsseldorf 2020
  • Galerie Ludorff, "40 Jahre 40 Meisterwerke", Dusseldorf 2015
  • Galerie Ludorff, "Gerhard Richter. Abstrakte Bilder", Dusseldorf 2013
  • Michael Schultz Gallery, "Gerhard Richter: Abstract Spirit", Seoul, Korea 2011
  • Galerie Ludorff, "Neuerwerbungen Herbst 2009", Düsseldorf 2009
Literature
  • Galerie Ludorff, "Meisterwerke", Düsseldorf 2020, S. 20
  • Hubertus Butin/Stefan Gronert/Thomas Olbricht (ed.), "Gerhard Richter. Editionen 1965-2013", Ostfildern 2014, no. 81
  • Galerie Ludorff, "Gerhard Richter", Dusseldorf 2013, p. 45
  • Hubertus Butin/Stefan Gronert, "Gerhard Richter. Editionen 1965-2004. Catalogue Raisonné", Ostfildern-Ruit 2004, no. 81
  • Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (Hg.), "Gerhard Richter. Werkübersicht/Catalogue raisonné 1962-1993", Bd. III, Ostfildern-Ruit 1993, no. 789-76

About Gerhard Richter

Influenced by post-war abstraction, Gerhard Richter began working intensively on abstract painting towards the end of the 1960s. Initially, however, he only created portraits and still lives based on photographs which, through their specific image detail and blurring, alienate reality.

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